REVIEW: The Bollywood Guide to Revenge
Reading Time: 2 minutesA Bollywood Guide to Revenge is a wonderful unapologetically camp show about self love.
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REVIEW:The Play’s The Thing. A One Person Hamlet
Reading Time: 3 minutesA single performer, a small stage, and a 400 year-old script, when handled with honesty and craft, can still make an audience hold its breath.
REVIEW: Descension
Reading Time: 2 minutesChronic Insanity’s Descension marks the inaugural production of FableMosh, the company’s new interactive digital theatre platform, offering an intriguing approach to audience engagement.
REVIEW: Dumping
Reading Time: 2 minutesThe focus of this work in progress show Dumping is on two female friends who have known each other since school and experience a friendship 'divorce'.
IN CONVERSATION WITH: Haruhi Otani
Reading Time: 3 minutesAs part of its 75th Season, English National Ballet returns to Sadler’s Wells, London, with The Forsythe Programme. Interview with Haruhi Otani.
REVIEW: Wake
Reading Time: 2 minutesA clubland ceilidh that will make you feel alive I think I need to attend more Irish funerals. There‘s more craic in WAKE than an episode of Derry Girls. The beating of a bodhrán drum and the…
REVIEW: The Importance of Being Oscar
Reading Time: 2 minutesThe Importance of Being Oscar is a captivating one-man show that delves into the life, wit, and tragic downfall of Oscar Wilde, brought to life by Alastair Whatley at Jermyn Street Theatre.
REVIEW: THE MOSS MAIDENS
Reading Time: 4 minutesThe Moss Maidens, written and directed by NYC based artist S. Dylan Zwickel. Based on a true story about a trio of young female Dutch resistance fighters during the Second World War.
REVIEW: F**KING MEN
Reading Time: 2 minutesDiPietro adapts Arthur Schnitzler’s controversial play La Ronde, written in 1897. It follows a series of ten individuals linked by sex. F**king Men, plants gay men in the middle of this modern retelling.
REVIEW: Stiletto
Reading Time: 2 minutesImagine the pressure when your legacy is Disney’s Mulan, how do you follow such culturally impactful songs such as “I’ll make a man out of you” and “Reflection”? By composing a brand new musical about castrated male singers, of course.