Reading Time: 3 minutesWe sat down for a quick chat with Sarah Hyojin Kim, artistic director of Peculiar Matter, Theo Ambrosini and Jerry Faderer about Unfinished Business. This is a devised work rooted in Sarah’s personal experience of being by…
Reading Time: 2 minutesThe Good Landlord, running at the Omnibus Theatre from November 18-22, is a production that boldly attempts to channel the absurd dark comedy of Beckett to tackle the modern day housing crisis.
Reading Time: 3 minutesA tower in Greenwich overlooking the Thames sits at the centre of Timelapse Company’s debut musical Precipice.
Reading Time: 4 minutesWe sat down for an interview with director and co-director, Holly Race Roughan and Naeem Hayat. This co-production, A Midsummer Night's Dream, from Shakespeare's Globe with pioneering theatre company Headlong opens Thursday 27th November and runs until 31st January at Sam Wanamaker Playhouse.
Reading Time: 3 minutesWe sat down for an exclusive interview with Katharine Farmer, Arcola Theatre's producer and associate artist, who has put together the Spring Season along with the Artistic Director.
Reading Time: 2 minutesStaging a dance tribute to this controversial festival, as Armin Hokmi has done, is in itself a bold gesture deserving of praise.
Reading Time: 2 minutes“Possum Trot is a small story told with sincerity, humour, and real heart.” There’s something about the Tabard Theatre that always makes me glad to slip into someone else’s story for a while. The space is compact…
Reading Time: 2 minutes“This wasn’t just a birthday concert. It was a powerful tribute, beautifully performed, thoughtfully curated, and deeply moving” Walking into the Sheldonian Theatre on Tuesday 11 November, I knew little about Arvo Pärt beyond the fact that…
Reading Time: 2 minutes“More cerebral than visceral, the performances and visuals elevate a promising script that builds up to an unsatisfying climax.” This is not a play about porn. This is a play about addiction, grief and misogyny. Ani (played…
Reading Time: 2 minutesThe production makes it abundantly clear that the future of theatre must cast a wider net, integrating and elevating global cultures.