A self-assured and stylish adaptation that knows exactly what it’s doing
The most talked-about film since Wicked, Emerald Fennell’s adaptation of Wuthering Heights has generated both hype and controversy. Casting choices, storyline cuts and amped-up sex appeal have led to much speculation around how this film will compare to the original classic novel by Emily Brontë.
Playing at BFI Southbank in their IMAX cinema, the UK’s largest screen, this is the ultimate way to watch an adaptation of what is being advertised as ‘the greatest love story of all time’. A completely immersive experience, this cinema is a key part of London’s thriving cultural landscape.
Writer-director Emerald Fennell subverts expectations from the get-go, reminding her audience of the violence and hardship of the period. Moments of horror undercut the lust, creating a dynamic film that’s impossible to look away from. Loosely following the most major plot points of Wuthering Heights, the story of Cathy and Heathcliff plays out, a destructive and intense tale of love, betrayal and vengeance.
Jacob Elordi is an alluringly rugged Heathcliff, his emotions always bubbling beneath the surface but so often going unvoiced. By contrast, Margot Robbie is the highly-strung Cathy who notoriously loves to cry. While both are cruel and toxic characters, their chemistry is undeniable and their love scenes, while discretely shot, are hot enough to set fire to the Yorkshire moors.
The supporting actors give equally stellar performances, a sadistic Nelly played by a steadfast Hong Chau, who undergoes one too many slights by Cathy and lets her inclination for vengeance overtake her better judgement. Alison Oliver brings a welcomed lightness to the screen, with excellent comic timing making the naive Isabella just as exciting to watch as Robbie’s Cathy.
The film is bookended by scenes with young Cathy (Charlotte Mellington) and Heathcliff (Owen Cooper), who make a striking pair. Their authentic and touching performances not only frame the narrative but also create context for the increasingly erratic behaviours of their adult counterparts.
Despite the strong performances of the acting ensemble, the real main character of this movie is the design. Production designer Suzie Davies creates a mesmerising set, both at Wuthering Heights and the neighbouring Thrushcross Grange. From the ‘skin room’ and hand fireplace, to the red velvet fur staircase, this perfectly preserved palace is a total feast for the eyes. Costumes by Jacqueline Durran are equally as opulent, playing with the period rather than staying stoically loyal to it.
This is not a faithful adaptation of the text, but it is a highly pleasurable one. Whether you’re expecting lush cinematography, steamy love scenes or to join the chorus of cinema goers weeping as the credits roll, you will find what you’re looking for in “Wuthering Heights”. See the film at BFI IMAX until February 22, 2026.