chelseajina

chelseajina

REVIEW: Tides

Reading Time: 2 minutesTides is not here to educate - it is not writer/performer Joe Dennnis’ job to do so. Rather, Tides is here to tell a story, and when we truly listen to the experiences of others, it is impossible not to learn in some respect.

REVIEW: The Womb

Reading Time: 2 minutesThe Womb, described by Co Theatre, the production company behind the work, as “an absurd play about the absurd things women that women have been going through since the beginning of the world” achieves precisely that. With each scene, the characters discover more ways in which women are subjucated by this world that was designed by and for men. These discoveries are stumbled upon by the characters - playwright Aylin Rodoplu’s clever language allows for exquisite subtlety within a theme that often lacks nuance, a pitfall considering the obstacles we face within the turmoil of girlhood are not always overtly discernible. Rodoplu’s intentionally opaque dialogue feels like poetry, heightened by its ability to connect the audience to the themes at play. While the production could easily feel inaccessible due to its absurd style, Rodoplu does an excellent job ensuring that ideas are clearly laid out, aided by a plethora of props, quips, stories, and deft physical theatre. 

REVIEW: Deptford Baby

Reading Time: 2 minutesWritten and performed by Chuwudi Onwere and featuring DJ Tommy Tappah, Onwere’s exquisitely descriptive language and spirited performance aids us in creating a total picture of the wild scenes to come. Supported by subtle light changes and a carefully crafted soundscape, the real work is being done by Onwere’s words and performance. High paced, impressively physical with humorous collaboration with DJ Tommy Tappah, Deptford Baby crafted a whole new universe for the audience to delve into.