REVIEW: Interstellar


Rating: 5 out of 5.

“The Royal Albert Hall Transforms Interstellar Into a Transcendental Symphony”


Watching a cinematic masterpiece like Interstellar on the big screen is always a treat, but experiencing it at the Royal Albert Hall elevates the film into an entirely different league of entertainment. The venue’s recent film-to-live-score event offered what can only be described as one of the most profound sensory experiences available to modern audiences. This presentation of Christopher Nolan’s 2014 sci-fi epic proved that when world-class musicianship meets high-concept filmmaking, the result is nothing short of transformative, turning a standard movie night into a monumental cultural event that resonates long after the final credits roll.

For those needing a refresher on the narrative, the story follows Joseph Cooper (Matthew McConaughey), a former NASA pilot who has traded the cockpit for a struggling family farm on a dying Earth. In a desperate bid to save humanity from a global blight, Cooper is recruited for a clandestine mission to lead an expedition beyond our galaxy through a newly discovered wormhole. The film’s immense emotional weight is anchored by a powerhouse ensemble including Anne Hathaway, Jessica Chastain, and Sir Michael Caine, yet the true star of this particular evening was the live accompaniment.

The Royal Philharmonic Concert Orchestra, conducted with immense precision by Ben Palmer, performed Hans Zimmer’s legendary score in real-time. A standout element was the inclusion of acclaimed organist Roger Sayer, who commanded the hall’s iconic Grand Organ – the very instrument used in the original soundtrack recording. Seeing that massive instrument illuminated beneath the screen was an awe-inspiring sight that only deepened the immersion. The impact of the live music was sensational, capturing the cold, vast atmosphere of deep space while intensifying the high-stakes tension of the film’s most dramatic sequences. Perhaps most striking was the use of contrast; during scenes where the spacecraft floats in the silent void, the orchestra fell into a sharp, heavy stillness that made the vacuum of the cosmos feel terrifyingly real.

This production is part of the Royal Albert Hall’s prestigious “Films in Concert” series, a programme that has revolutionised how audiences interact with cinema since its inception. By stripping away the pre-recorded audio track and replacing it with a full symphony orchestra, the series highlights the technical brilliance of film scoring that often goes unnoticed in a traditional theatre. Over the years, the series has celebrated everything from the swashbuckling fanfares of Jurassic Park and Star Wars to the sweeping romanticism of Titanic, proving that the score is the true heartbeat of any great film. These events have become a staple of the Hall’s calendar, drawing in diverse crowds who might not otherwise visit a classical concert hall, thereby bridging the gap between pop culture and high art.

To appreciate the scale of this performance, one must consider the venue itself. Opened in 1871 by Queen Victoria, the Royal Albert Hall is one of the United Kingdom’s most treasured and distinctive buildings. Its world-famous stage has hosted everything from the BBC Proms to legendary rock concerts, and its unique acoustics – once a point of architectural contention – provide a literal “surround sound” experience that no modern cinema can replicate. The Grade I listed building provides a sense of occasion that makes every screening feel like a historic premiere, with its red velvet tiers and Italianate architecture providing a stark, beautiful contrast to the futuristic visuals of Nolan’s space odyssey.

The sheer scale of the sound vibrating through the historic auditorium is nothing short of breathtaking. The venue appeared to be a total full house, a fact made undeniable during the credits when the orchestra received a thunderous, well-deserved standing ovation. These performances offer a completely fresh perspective on the art of filmmaking, revealing layers of the score that are often compressed in a standard cinema setting. It is a rare treat to witness such world-class musicians in such an iconic setting.

While this specific run of Interstellar was a limited engagement held for only two nights, the Royal Albert Hall continues to host a variety of other spectacular “Films in Concert” throughout the year, including upcoming screenings of Harry Potter, Gladiator, and Avatar. Information on upcoming screenings and tickets can be found here.

REVIEW: Maricel


Rating: 5 out of 5.

“Cultural immersion, done beautifully”


Maricel is a beautifully crafted film, shining a light on a reality faced by millions of Filipino families. With the space it allows to explore the quiet moments, it raises important questions and invites questions on the cost of success.

Zar Donato is excellent in the role of Maricel. She completely captures the complex, conflicting emotions of the situation unfolding in front of her. From the meticulous standard of support she provides to the elderly Greek couple in her care to the earned bursts of frustration, her performance reflects Filipino culture authentically.

The simple, routine moments shine across both cultures. Food plays a continuous role in the film. The showcasing of lesser-known Greek cuisine, rooted in what is readily available, highlights the simplicity of Greek cooking. The preparation of honey and ginger tea to soothe ailments, and the presence of carefully stored, plastic-wrapped snacks, will feel familiar to many within Filipino households. The running joke around long-grain rice was subtle and well done.

The tenderness and honesty with which the sexual realities of OFWs are portrayed are moving and deeply affecting. The film presents, in a strikingly beautiful yet unflinching way, how difference and vulnerability can lead to exploitation. It powerfully captures the spectrum of experiences – from those who endure and adapt, making the best of difficult circumstances, to the harsher, more unsettling realities that many have had to confront and overcome.

As the daughter of an OFW who lived in Greece, this film feels deeply personal. Seeing the crossover of Tagalog, Greek and English brought to life feels almost sacred, a detail handled with great care. The emphasis on particular phrases – where “bastos” comes to mind – feels charmingly natural. The emotional turmoil of balancing the loss of family and the acceptance of another family met with a quiet, stoic resilience echoes the determination of OFWs to create a better life for their families, often at great personal cost.

After the screening, director Elias Demetiou took part in a Q&A. He spoke openly about his family’s personal experience with Filipino workers, affectionately referring to the woman who inspired Marciel as a sister. His brother also composed the moving score, a first for the brothers after many years of Elias’s requests. 


Marciel is a human story, told with care and details that resonates well beyond the screen. Showcasing 52 feature films, including nine UK premieres and eight world premieres, catch the Manchester Film Festival until 29th March. Tickets are available here.

REVIEW: Psychopomp


Rating: 5 out of 5.

“A short film that will stay with you long after you leave the theatre.”


Manchester Film Festival opened to a full auditorium at Aviva Studios. The 11 day festival celebrates film across the city with an action packed programme of events. In its 12th year, the festival continues to grow. The opening event was a double bill of Kit Harrington’s Psychopomp and Jan Komasa’s The Good Boy.

Psychopomp is an excellent black comedy short, following a road trip led by Harry Melling as Harry, who has decided to end his life with the help of an assassin, Liam, played by Ciaran Owens. What initially feels like a play on stereotypes soon reveals a far deeper emotional core, uncovering the dark histories that underpin such situations. Alluding to a past that raises more questions than it answers, the film feels intimate and personal, capturing the complexity of what is unfolding. When a film is able to move you so profoundly with a single word, you know you’ve discovered something truly special.

Filming took place in the North of England across Leeds , Kirkstall, Ilkley Moor and Barton-upon-Humber, something Kit Harrington spoke of fondly in the Q&A that followed and cited that being a reason for the film being shown at the festival with him in attendance. The film was shot over three days, with half a day dedicated to the incredibly sombering Humber Bridge Scene. 

The Q&A also offered a moment for the Game of Thrones star to share his vulnerabilities around bringing his directorial debut to an audience. Hearing Kit Harington speak about his desire to challenge himself through Psychopomp, and his reflection on the support he received from the industry in making it a reality, was insightful and refreshingly honest.

The Q&A also highlighted the genuine comradery across the production team and actors, with Owens praising how good it was to have an actor in the directors shoes who understands the relationship building needed to deliver such an emotionally complex performance. Harrington commented that he would want to direct again and for anyone who watches Psychopomp, they will certainly be looking forward to the next project he works on.

Showcasing 52 feature films, including nine UK premieres and eight world premieres, catch the Manchester Film Festival until 29th March. Tickets are available here.

Psychopomp was followed by The Good Boy – the reviewer did not attend this part of the event.

REVIEW: The Moonwalkers: A Journey with Tom Hanks


Rating: 5 out of 5.

“Travel through the past, present, and future in an incredible celebration of space history.”


If you have ever been gripped by the fascination of space and what lies beyond our planet, you have likely been enamoured by the story of humans reaching the Moon. Arguably one of the greatest achievements of humankind is having gone beyond our atmosphere and successfully landed and explored the Moon. The Moonwalkers: A Journey with Tom Hanks gives space enthusiasts and the generally curious the opportunity to reflect on the mission people have gone on to achieve this incredible goal. 

Created by Tom Hanks and Christopher Riley, The Moonwalkers takes audiences on a voyage through the Apollo missions of the 1960s and 70s. The mediums blend through Hanks recounting stories from his life and love for space, factual information on the colossal events that led to the Moon landing and interviews with future Artemis crew members, all of which come together to deliver a well curated and compelling tale about the hope to reach beyond. 

Hanks is the perfect narrator for this story. He has truly swapped the cowboy boots for those of a space enthusiast and hearing his perception of the Moon landing through the eyes of his teenage self was a joy to hear.

What accompanies the beautiful narration are the equally impressive 360-degree projections and surround audio technology. Through NASA photography, the audience is completely immersed in space. The Moon images are crystal clear, it almost feels like you’re there yourself. The humanity communicated through the pictures is an element of this experience that leaves you feeling alive, knowing the once impossible was indeed possible. Particular highlights include the showcase of some of the 10,000 images taken during the Apollo missions. The ode to the fallen astronauts is a harrowing moment, delivered such a thoughtful and intentional way. By honouring the bravery of those who made the Moon landing possible while looking toward the Artemis generation, The Moonwalkers reminds us that progress is not finite – it is ongoing.

The piece is held up by the spectacular, contemplative original score by Anne Niktin. Far more than a supporting element, the music acts as an emotional guide throughout the experience, shaping the rhythm and tone of each chapter. Captivating through clever transitions between different genres, from jazz to contemporary melodies, it stands out in its own right.

It is impossible to leave without a renewed sense of faith in human curiosity and collaboration. The Moonwalkers: A Journey with Tom Hanks is a delight to witness. There are few ways better to spend 50 minutes immersed in adventure, awe and optimism. Visit Aviva Studios in Manchester to experience this masterpiece until 11th January 2026 or Lightroom in London until 8th March 2026. Tickets are available here.

REVIEW: Grease: The Immersive Movie Musical


Rating: 4.5 out of 5.

Full throttle reimagining of the 1978 film.


Secret Cinema have done it again! Grease: The Immersive Movie Musical, running until September 7th at Evolution London in Battersea Park, is a full throttle reimagining of the 1978 film. 

From the moment that guests arrive, the experience blurs the line between the audience and the performer, offering a new exciting blend of theatre, cinema and funfair settings all in one place. When entering Evolution London, audiences are transported to a vibrant 1959 Americana dream. Some of the most iconic settings from the film are re-created in incredible detail: Frosty’s Palace diner, the Auto Shop with a “Greased Lightnin’” on display and even carnival grounds to bring a nostalgic feel. The attention to detail is amazing, with set designer Tom Rogers crafting a world that feels both cinematic and tangible. Both the outdoor and indoor spaces are incredibly immersive, with the cast walking alongside you their unique interactions with one another and the audience are what sets this apart from the rest. 

Before the film even starts, guests have time to explore the funfair, complete with Ferris wheel, tin can alley and swing carousel. With bars available outside and Grease themed merch available queues are inevitable. 

Throughout the show itself dozens of mini-performances and interactive moments unfold simultaneously. Audience members can join choir rehearsals, chat with the Pink Ladies or help during sports try-outs. The pace is fast; elect scenes from Grease are performed live in sync with the film, bringing the screen to life in bursts of music and movement. The level of interactivity is a showstopper, from heading on stage, to dining at Frosty’s Palace, with the audience navigating their evening each audience member could have a totally different experience to one another. 

The cast is strong, bringing both vocal talent and charming character to their roles. The rendition of “Grease Lightnin” stands out, the crowd are encouraged to sing along, dance and have fun. The actors continuously float between fully staged numbers and casual in-character interactions with guests, which sets it apart from any other show. 

The finale is particularly memorable, ending the night on a euphoric high as “We Go Together” is blasted from the speakers, the film playing in the background and a cast encouraging the audience to once again play their part. 

There are some minor drawbacks of course, food and drink prices are steep, and crowding around popular events can make it difficult to see everything. But these are minor. Each audience having the opportunity to curate their evening is very special and unique to secret cinema. 

Grease: The Immersive Movie Musical is a distinctive, deeply entertaining experience, one that captures the spirit of the film while pushing the boundaries of what immersive theatre can be. Whether you’re a diehard fan or simply in search of a memorable night out, this production has charm, polish and more than a little grease lightning.

Tickets are available for purchase now at: https://greasetheimmersivemoviemusical.com/