Reading Time: 2 minutesPsychopomp is Kit Harington's directorial debut is a dark comedy short, shot in Northern England, starring Harry Melling as a desperate man who’s decided to end his own life with the help of hired assassin Liam.
Reading Time: 4 minutesWe sat down with Cathy Waller to talk about Cathy Waller Company’s new triptych of live dance, film and visual art, You & Us that asks timely and urgent questions about invisibility, identity and what it truly means to be seen.
Reading Time: 3 minutesA newly restored “Pink Narcissus,” the once-anonymous 1971 film by James Bidgood, returns to UK screens through the British Film Institute, reframing a cult artefact as both a recovered artwork and a reclaimed authorship.
Reading Time: 2 minutesOn International Women’s Day, the Women’s Voices Arts & Culture Festival opened its programme at the Playhouse Theatre with an evening dedicated to the formidable legacy of Lynn Seymour, a dancer whose dramatic intensity helped reshape narrative ballet in the twentieth century.
Reading Time: 3 minutesSeen on the vast screen at BFI IMAX as part of Emerald Fennell’s February programme “Love Stories,” The Beguiled plays like a quiet act of sabotage.
Reading Time: 4 minutesWe sat down for an exclusive interview with Rhianna Dhillon who presents a new monthly series for BFI Player celebrating female friendship and chosen family through the Galentine’s Day collection, featuring films like Frances Ha and Daisies. She will also curate a BFI Flare collection on March 9th, honouring 40 years of the London LGBTQIA+ Film Festival with highlights including Weekend, Beach Rats, and Young Soul Rebels.
Reading Time: 2 minutesThe most talked-about film since Wicked, Emerald Fennell’s adaptation of Wuthering Heights has generated both hype and controversy.
Reading Time: 3 minutesAs part of the BFI IMAX’s ‘Love Stories’ season running throughout February, Crash is presented under the curatorial eye of Emerald Fennell, ahead of the release of her forthcoming Wuthering Heights.
Reading Time: 3 minutesManipulate Arts - Scotland’s home for cutting-edge animation, puppetry and visual theatre - today announces the programme for the 19th edition of Manipulate Festival.
Reading Time: 2 minutesSelected by Emerald Fennell as part of her Love Stories programme at BFI IMAX, Park Chan-wook’s The Handmaiden arrives already framed as an exemplary but disruptive romance. It is a positioning that feels both apt and slightly provocative.