REVIEW: John Proctor is a Villain

Reading Time: 3 minutesThe most validating theatrical experience a young woman can have!

Reading Time: 3 minutesThe most validating theatrical experience a young woman can have!

Reading Time: 3 minutesWe sat down with Amy to discuss her upcoming production, Single White Female.

Reading Time: 2 minutesWe sat down with Matthew Ganley for a quick chat about his latest performance in Good Golly Miss Molly.

Reading Time: 2 minutesCaptured what is universal about the human experience of being away from home London is a truly international city. In 2021, it was named the global city with the single highest foreign-born population. In the same year,…

Reading Time: 2 minutesThe Sequel is a new comedy-drama from emerging writer Lucas Closs. When a novelist returns to the place that made her, she must face the people living with her version of them. We sat down with Lucas to discuss their upcoming production.

Reading Time: 4 minutesWe sat down for a quick chat with Todd Wiener, motion picture curator at the UCLA Film & Television Archive, about the recent restoration of “Pink Narcissus” Q: “Pink Narcissus” circulated anonymously for years due to James…

Reading Time: 2 minutesD is for Distance is a strange, beautiful meditation on memory, truth and family, bound with tender fragility around the experiences of a young man with epilepsy, tracing his story from pre-condition to the current day.

Reading Time: 3 minutesA Mirrored Monet is a new musical by composer/lyricist/dramatist Carmel Owen stars Jeff Shankley (Starlight Express, Cats) as Monet and Dean John-Wilson (Your Lie in April: The Musical, The King and I) as Young Monet.

Reading Time: 2 minutesA simple case of mistaken identity spirals into farce, exposing vanity, hypocrisy and greed in this razor-sharp satire from the grandfather of Ukrainian drama.
David Harrower’s acclaimed version of The Government Inspector premiered at Warwick Arts Centre before transferring to the Young Vic, London.

Reading Time: 2 minutesWinner of the Women’s Prize for Playwriting 2022, Karis Kelly’s play Consumed is a pitch-black and twisted comedy of dysfunctional family dynamics, generational trauma and national boundaries.