Reading Time: 2 minutesLove, scars, and thirty years of almost. Rajiv Joseph’s Gruesome Playground Injuries traces the relationship between Doug and Kayleen across three decades, presenting their story through a series of encounters that unfold out of chronological order. Each…
Reading Time: 2 minutes90 minutes of wonderful, historically (in)accurate chaos A rousing applause welcomed an energetic foursome of Sam Trotman, Finn Tickel, Caoimhe de Brún and Harrison Macdonald-Taylor to the Studio stage at New Wimbledon Theatre on Friday night for…
Reading Time: 2 minutesDark political satire: an impressive performance and piercing comedy The scene is set: a tired, messy, red rosette studded office, with a bottle of white wine sitting on the table, shortly to be opened. I hope it…
Reading Time: 3 minutesGarland sets fourth an unwavering theatrical statement in Primal Bog, a show which slices normativity, disembowels commodified self-care and celebrates our inner filth. Writer/performer Rosa Garland walks naked onto a white canvas covered stage. The front row of…
Reading Time: 4 minutesWe sat down for an exclusive interview with countertenor Agustín Pennino, who is sharing the title role of Rinaldo with mezzo-soprano Ella Orehek-Coddington.
Reading Time: 2 minutesWe sat down for a quick chat with Caroline Slocock ahead of her upcoming project. Ruth runs at Wilton Musical Hall between 18 and 28 MARCH. Tickets here: How did you approach balancing historical accuracy with…
Reading Time: 3 minutesWe sat down for an exclusive interview with Liam Jedele, who will be taking on several roles across the three chapters of America the Beautiful.
Reading Time: 2 minutesJulia Lupașcu presents a work that confronts mortality with striking choreographic and theatrical intelligence. As part of Resolution 26 at The Place, Romanian choreographer Julia Lupașcu presented a work that confronted mortality with striking theatrical intelligence. Drawing…
Reading Time: 4 minutesWe sat down for an exclusive interview with Louisa Marshall & Amber Charlie Conroy, writers of Clean Slate. A darkly funny, uniquely immersive solo show about weaponised incompetence - think the relatability of Dolly Alderton, the biting humour of Sharon Horgan, and a vicious streak of Sarah Kane.
Reading Time: 2 minutes Described as a black comedy “for anyone who has ever struggled to fit in”, Gannet is a part clowning, part monologue piece in which performer/writer Daisy Day, alongside co-writer/director Peggy Pollard, weave a meandering and hilariously convoluted tale of a young bird struggling to make his way in the world.