IN CONVERSATION WITH: Tilly Ingram

Reading Time: 4 minutesThe openness allows for those that have never birdwatched before to give it a go and get a flavour of it.

Reading Time: 4 minutesThe openness allows for those that have never birdwatched before to give it a go and get a flavour of it.

Reading Time: 2 minutes“Immersive, engrossing and enchanting storytelling”

Reading Time: 2 minutesa wonderful showcase of talent, both known and emerging

Reading Time: 3 minutesThe Lady From The Sea at the Bridge Theatre is a stunning lesson in directing, stagecraft, adaptation, and design.

Reading Time: 3 minutesThe show offers a rich and diverse portrayal of British South Asian women in a contemporary context. The play is woven with energy, driven by a cast of distinct characters and talented actors that offer unique insights to the stage.

Reading Time: 3 minutesWe sat down with Natasha Page who makes her debut with English Touring Opera as Adina in a new production of Donizetti's 'The Elixir of Love', which opens at Hackney Empire on 27 September before touring across the country, tickets are available here.

Reading Time: 3 minutesWe spoke with Alexandra Viktoria about They Do Not Seek Good From Good, a play bringing post-Soviet Podolsk to the London stage, exploring identity, intergenerational conflict, and the enduring pull between tradition and progress. What drew you to…

Reading Time: 2 minutesThere’s a sly misdirection in the title: you expect a didactical session, a how-to lesson. What Michael Keegan-Dolan offers instead is a memoir in motion, a life distilled into rhythm, anecdote and image. Over eighty minutes the show moves like story: intimate, rough-edged, and stitched together with unexpected tenderness.

Reading Time: 3 minutesThere’s a very unique kind of intimacy in Philip Ridley’s one-person plays: the kind that pushes its blade right up to theatre’s jugular and cheekily threatens to bleed it dry if you don’t follow it through to the end.

Reading Time: 3 minutesMiranda Lapworth’s Storms, Maybe Snow is built on familiar but time-tested foundations.